Anuradha Sarma Pujari, a celebrated novelist and short story writer, expands her literary prowess into the realm of essays with Xomoyor Prishtha (Pages of Time). This collection, aptly titled, presents a captivating journey through various facets of life. As the preface suggests, the essays and articles delve into diverse periods, offering a rich tapestry of themes.
Pujari’s strength lies in her versatility. The essays shift effortlessly from philosophy and history to literature and politics. She tackles contemporary socio-economic realities, explores the world of music and painting, and even delves into interdisciplinary connections.
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A journalist herself, Pujari provides a scathing critique of the profession’s current state. She blames journalists for a lack of thorough research, exposing the often “brutal and shocking reality” of contemporary journalism.
The book showcases Pujari’s personal connection to her subjects. We see this in her moving piece about Indira Miri, a social activist who inspired Pujari’s acclaimed novel Mereng. Here, and in other essays, Pujari’s passion shines through.
She tackles sensitive topics like illegal immigration, highlighting the plight of Bangladeshi workers who provide cheap labor while facing societal challenges. Pujari doesn’t shy away from criticizing corruption, candidly calling out corrupt politicians who have normalized this vice in India and Assam.
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The book offers glimpses into iconic figures. Pujari recounts a personal encounter with the renowned artist Maqbul Fida Husain, exploring his quest for attention and his youthful persona despite his advanced age. Similarly, she explores the life of Dr. Bhupen Hazarika, Assam’s cultural icon and singer. Pujari argues convincingly for his rightful recognition with the Bharat Ratna award, a testament to his enduring legacy despite facing hardships. Mamoni Raisom Goswami, another cultural pillar of Assam, also finds a place in Pujari’s insightful commentary.
Pujari’s essays are remarkable for their weight and conciseness. They are laced with arguments presented in elegant prose. However, the lack of dates and years at the end of each essay presents a minor hurdle for serious readers seeking specific historical context.
Despite this shortcoming, Xomoyor Prishtha deserves praise. Anuradha Sarma Pujari’s intellectual depth and engaging writing style make this collection a worthwhile read for anyone seeking a thought-provoking exploration of diverse themes.