Written by Prantik Deka
The award-winning filmmaker Sanjib Sabhapandit, returning after a lengthy pause, has crafted a movie that is nothing short of courageous and singularly distinctive. ‘Akash Heno Nadir Naam’ (Ballad to the Winds) — his latest cinematic work transcends mere entertainment, offering a subtle and intimate exploration of the multifaceted emotions that exist within the human spirit and the complex frameworks of the societies we build.
The film’s narrative unfolds in a serene riverside village distinguished by its breathtaking natural beauty and steeped in age-old cultural traditions. At first inspection, the film’s thematic content may appear commonplace; however, a deeper exploration of the narrative reveals a vast philosophical landscape that invites extensive contemplation.
From the filmmaker’s personal perspective, our society is currently undergoing a highly sensitive and unstable period, where people are slowly losing the willingness to genuinely accept and understand each other’s language and culture. In such an intolerant social environment, an ancient language such as Brajavali – which is largely disregarded in contemporary times – holds the power to convey a profound humanistic message to society, particularly amid an atmosphere marked by societal intolerance.
True humanity flourishes when individuals transcend the boundaries of their narrow self-interest and learn to embrace all sections of society equally. In such complex times, as the present societal structure is veering towards division, hatred, and animosity, this film has succeeded in creating a powerful intellectual appeal for the reawakening of human values.
The film’s most potent and captivating aspect lies in its profound philosophical underpinnings, where the Brajavali language is presented not merely as a vehicle for emotional expression, but as a living, vibrant, and distinct character in itself. Central to the narrative is a committed and tireless scholar, a devoted practitioner of the Brajavali language, a role brought to life with exceptional skill by the renowned artist of Assamese cinema, Bishnu Kharghoria.
The scholar’s sole and continuous aim in life was to discover the heritage associated with this ancient language and its true roots. Along with this, he made continuous efforts to revive the traditions of songs, dances, and drama deeply associated with this language, which were once an inseparable part of Assamese social life, although they are currently confined only within certain specific religious rituals and ceremonies.
Out of nowhere, an unexpected storm swept into his previously tranquil, balanced, and solitary life, which revolved solely around his intellectual endeavours with books, that shook his entire world. The atmosphere within the household shifts dramatically when his only son, who has been away from home and their village for an extended period, unexpectedly returns with his partner, who happens to be of the same sex.
Chanku Niranjan Nath, playing the role of his son, along with Atanu Mahanta as his companion, have infused the film with a fresh sense of modern reality through their remarkably authentic and fluid performances. The entry of modern, unconventional, and sensitive subjects such as same-sex relationships into a deeply conservative rural society and a family bound by traditional customs and practices generates an unprecedented and oppressive atmosphere throughout.
In this segment, the characterisation of the archetypal father, symbolised by the scholar, and the conventional mother, portrayed by noted actress Rina Bora, adeptly illustrates the psychological tension with exceptional skill, vitality, and emotional resonance. In a close-knit village where everyone keeps tabs on each other and privacy is almost unheard of, it is really challenging for parents to either conceal or openly acknowledge such a relationship involving their child in society.
The intense mental conflict arising from the incongruity of his son’s behaviour with the long-standing traditions and rules prevalent in society compelled the scholar to question his own ideals, beliefs, and the knowledge acquired through a lifetime of endeavour. Deep within his heart, a fierce internal conflict perpetually rages — whether to conform to society’s strict rules and abandon his child, or to defy societal judgment and accept his child’s happiness and true identity.
The most beautiful, contemplative, and spiritual element of the film ‘Akash Heno Nadir Naam’ lies in the resolution of its intense psychological conflict, which emerges not from external interventions, authoritative commands from societal figures, or vehement public discourse. Instead, it emerges from the profound wisdom embedded within the ancient Brajavali language, a language the scholar cherished and devotedly embraced throughout his existence.
The true and profound meaning of this language, which consistently emphasises embracing all humans with equality and without any form of discrimination or prejudice, gradually began to unlock the closed doors of the scholar’s mind. He truly understands that the great philosophies enshrined within the pages of books aren’t just meant to be read or recited to others. Rather, they must be capable of being applied during one’s own challenging moments in life. Denying one’s own son’s identity and love is actually contrary to the liberal principles of that very language, principles which he has always held in the highest regard and belief.
The spiritual and philosophical power of this language demonstrates to him that narrow-mindedness alienates individuals from society, whereas a collective and liberal outlook integrates individuals into a vast and noble sphere. With this insight, the scholar’s mind was entirely freed from the constraints of societal fears, anxieties, and shame. The director has very skillfully proven that true knowledge is never confined to any specific era, time, or circumstance; it is eternal and can guide humanity on the right path at all times.
This film illustrates that by staying deeply connected to our roots and truly comprehending the genuine liberal ideals embedded in our tradition, we can face any challenge or change in modern society with composure, integrity, and adaptability. Many films that depict homosexual relationships or marginalised sexual identities tend to rely on heightened emotional drama, a confrontational attitude, or a strong focus on physical connections. However, in ‘Akash Heno Nadir Naam’, there is a refreshing absence of melodrama, slogans, or superficial activism. Instead, the narrative is approached with profound humility, genuine human empathy, and deep psychological understanding.
Cinematographer Parasher Baruah adeptly captures the imposing Brahmaputra River, its adjacent sandbars, and the scenic breadth of the verdant rural landscape. This vast and tranquil form of nature appears to have created a contrasting yet highly meaningful backdrop to the inner turmoil and tempest within the characters’ minds.
The leaves of the trees trembling in the riverside breeze seem to represent the characters’ constant doubt and restlessness. Sourav Dutta’s expert editing ensures that the film’s gradual but meaningful flow remains uninterrupted. On the other hand, Sourav Mahanta’s musical direction has further enhanced the philosophical depth of the film.
Produced by Utpal Kumar Das, the film offers a nuanced and sincere depiction of the simple, honest rural folk in a tight-knit community, where everyone is deeply interconnected through shared emotions – joy and grief alike. It effectively reveals how the concealed facets of an individual’s personal life are brought into the public discourse.
Veteran actor Atul Pachani, playing a key character who upholds the central theme of the film, has been seen in a completely distinctive avatar, managing to leave a profound impression. The other supporting artistes have also made the narrative more believable by delivering natural and realistic performances in characters representing rural society.
Overall, the film serves as a profound exploration of poetic, philosophical, and psychological dimensions pertaining to human values, the crisis of identity, and societal acceptance. Creating a full-length film addressing such a sensitive and pressing issue within the framework of a traditional social system presents a significant challenge. It can be asserted without reservation that director Sanjib Sabhapandit has approached this challenge with commendable courage, skill, and intellectual integrity. The film effectively conveys a subtle yet impactful message to society.